A new study finds that some anti-cigarette
messages in public service announcements have an unintended result:They trigger
viewers' desire to smoke.
The findings were published in the most recent
issue of Media Psychology.
Certain "scenes portraying smoking objects or
behaviors can be helpful by making antismoking PSAs more relevant and engaging
the target audience,” write the study’s authors, Sungkyoung Lee, Ph.D., and Joseph N. Cappella, Ph.D., of the Center of Excellence in Cancer Communication
Research, Annenberg School for Communication, University of
Pennsylvania.
“However, inclusion of such images can
[sometimes] distract viewers from processing audio and non-cue visuals, which
are often the most important content audiences need to take
away.”
The key, the authors write, is whether the
anti-smoking message is powerful enough to capture the viewer’s attention. In
such cases, the images of smokers will reinforce the notion that cigarettes are
harmful. But when the anti-smoking message is “weak,” these images can have the
opposite effect.
For instance, a PSA released in March 2012 by
the Centers for Disease Control and Prevention that showed a former smoker adjusting to life with a
tracheotomy was one of the most
powerful television ads that year. Another memorable series of PSAs was released
by the Canadian government in March, which compared smoking with “public
farting.”
“Such PSAs have shown to be effective in
influencing the target audience’s awareness, knowledge and beliefs relating to
smoking behavior, which in turn increase antismoking intention and behavior
change,” write the study’s authors.
In weaker PSAs, the visual “cues” of
individuals smoking will override the viewer’s ability to “encode and remember
antismoking arguments," they add, as such cues play a pivotal role in the
relapse behaviors of former substance abusers.
Or, as Adweek puts it, the wrong kind of anti-drug ad will “make
you want to take drugs.”
The creative minds behind anti-smoking ads know
that visual cues are key. The variable in the equation is just making sure that
the message is strong enough to outweigh the potential trigger for a craving.
The risk vs. reward scenario is said to be similar to using a joke or memorable
sexy image to sell an unrelated product, like a car or clothing. If the joke is
too good, people will remember only the funny ad, not what the company is trying
to sell.
“In theory, the core content of a message can
be placed in either the audio or video channel, or both,” Lee and Cappella write
in their study’s conclusion. “Our findings suggest that the audio channel is an
efficient modality for delivering the core arguments of a message, especially
when the arguments are strong.”
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